I-melodramas yaseJapan: ukuphononongwa, iimpawu, izicwangciso

IJapan isoloko ixutyushwa njengelizwe elinembali engaqondakaliyo kunye nolwangqongqo. Iimpawu zabo zenkcubeko nezokuziphatha zihluke kakhulu kwiimbono zaseYurophu zanamhlanje. Ngako oko, i-cinema yaseJapan ifumana ukuthandwa phakathi kwabantu abatsha kwaye kungekhona nje kuphela. I-melodramas yaseJapan ikhangeleka kwaye inomdla. Yilolu lathiso lwe-cinema olulungileyo oludlulisela ingqondo yeJapan. Abadlali bazama ukuhambisa iimvakalelo zothando, intlungu kunye nokudumala kunokwenzeka. Oku kuboniswa ngokulinganisa, intetho kunye neenjongo zangaphakathi. Akumangalisi kukuba, ukulandela i-melodramas yaseJapan ifumana ukuthandwa okunjalo.

Imibuzo ye Geisha (2005)

Ifilimu ibhekisela kwintlekele yintombazana egama lingu Sayuri, owathi ebuntwaneni engena endlwini ye geisha, apho afundiswa khona zonke izakhono ze-geisha. Ixesha lihamba kwaye intombazana iyajika ibe ngumfazi omhle kwaye inomtsalane inani elikhulu leembono zabantu abahlukahlukeneyo abazizityebi.

Ngama-1930, eJapan, ubuchule be-geisha babucingelwa ubugcisa bokwenene kunye nokubonakaliswa kobufazi bokwenene nobuhle. Kwaye u-Sayuri waba ngumdumo wecala kwisixeko sakhe. Wonke umntu ulungele ukuhlawula nayiphi na imali yokuchitha ixesha naye. Kodwa i-Sayithi ayithandekanga, kuba entliziyweni yentombazana kukho uthanda umntu ongeke abe naye.

Le film-melodrama yaseJapane ikuvumela ukuba ungene kwidayari yomntu wommeli wenkcubeko yasendulo kwaye uhlale naye onke amaxesha obomi bakhe.

Indlu engenanto (2004)

Le melodrama ibalisa ibali lomntu osebenzisa indlu yomntu othile ngexesha lokungabikho kwabanikazi. Ngoncedo lweentengiso ezidlulileyo, umyeni uhlola ukuqinisekisa ukuba indlu ayinalutho. Yaye ukuba inhlanhla isecaleni layo, uhlala khona ixesha elithile, kodwa akayi kuchitha ixesha. Ulungisa izinto eziphukile kwaye uhlambulule, nokuba uhlamba xa kuyimfuneko. Ekufikeni kwabanini, umfana uhamba ngesithuthuthu sakhe kunye namaqabunga ukuba afune indawo entsha.

Emva kokuhlala endlwini, akaqapheli inkosikazi engathuliyo. Ukuphazamiseka ebomini bentsapho, intombazana ehlala ehlwaywa kwaye ephila ngokwesaba. Emva koko ukhetha umzuzu, lo mfana uyasindisa intombazana, kwaye uthatha indlela yokuphila.
Lo ngumzekelo omhle wendlela ama-melodramas aseJapan anokuziva ngayo emoyeni. Yonke ifilimu, i-heroine ayisho elinye igama.

Ukuba nawe (2004)

Xa kwenzeka intlekele ebomini kwintsapho eselula. Umfazi othandekayo kaMyo nonina bafa. Ukushiya indoda kunye nendodana yodwa ngokuthula kunye nentlungu. Indoda isoloko ityala ngokwenzeka kumfazi wayo. Emva koko, indoda inenkathazo zempilo kunye nesimo esibi. Indodana nayo iyazigxeka ngenxa yokulahlekelwa ngumama. UMo ushiya unyana wakhe omncinci kwincwadi apho ebhala khona ukuba waya kude kwenkwenkwezi.

Ngenye imini, emva kokuhamba ngokuhlwa, bafumana ibhinqa lifihla emvula phantsi kwesithsaba somthi. Ngokukhawuleza baqala ukuqonda ukuba nguMio wabo ofile. Intombazana eyifumene ayikhumbuli nto ngaye. Unyana ucinga ukuba yonke into ibhalwe kwincwadi kwaye, mhlawumbi, ngumshini wesikhathi.

I-melodrama emangalisayo ithetha ngothando lwenene olunokuphila konke. Isalathisi esithakazelisayo kunye nesiphumo esithandekayo nakakhulu asiyi kushiya umbukeli engenandaba.

Incwadi Yothando (1995)

Umyeni we heroine oyinhloko u-Hiroki wasweleka kwiintaba eziliqela kwiminyaka edlulileyo, kodwa intombazana ayinakukwazi ukujamelana nokubuhlungu kokulahlekelwa. Nangona ebudlelwaneni nomntu omtsha, intombazana ayikwazi ukulibala umyeni wakhe ofileyo. Ngesinye isikhathi ufumana idilesi yomyeni wakhe wangaphambili.

Ngesizathu esithile, intombazana inomnqweno onamandla wokumbhalela ileta. Uyaqonda ukuba indlu yakhe endala iye yachithwa ixesha elide kwaye konke oku kungenanto, kodwa ngokukhawuleza ufumana iempendulo yempendulo kunye nesayine yomyeni wakhe ngokungalindelekanga.

I-melodramas yaseJapan malunga nothando zihlala zibonakaliswa ngumculo othakazelisayo kunye nomoya othabathayo, ifilimu ethi "Incwadi Yothando" ayisenzi nje kuphela iimvakalelo zabalinganiswa, kodwa kwakhona ekulindeni ukulondoloza uphuhliso olongezelelweyo lwesalathisi.

I-Walking Castle (2004)

Amashishini aseJapan kuphela ayathandeka ngokubaluleka kweemeko zabo zengqondo, kodwa kunye nezinye iimifanekiso ze-anime. Isalathiso senzobo sekhathuni senziwa kwihlabathi elifanayo, apho umlingo uhamba ngokuhamba nenkqubela. Intombazana encinci uSophie nayo ayimelanga, njengoko ubomi bayo buya kujika, xa esixekweni kuya kufika ukukhiya okuhambayo kwindoda eyimfihlakalo, ngegama likaHaul. Xa ubuyela ekhaya kwintombazana, amabutho amabini aqala ukuhlambalaza kwaye ke idizadi eyaziwayo, eyaziwa ngayo yonke idolophu, iyayisiza. Uwela ngokunyanisekileyo kunye naye kwaye ngokukhawuleza ubanjwe kwiintlanga ezintle. Umtsalane onomona uguqula waba ngumakhulu omdala kunye nobuthathaka, kodwa intombazana ayiyikuyeka.

Nangona ama-melodramas aseJapan malunga nothando, aboniswe kwiifilimu afanelekileyo. I-Anime - "I-Castle Walk" ayiyi kushiya nabani na ongenamdla. I-adventure enhle kunye nenqaku elithandekayo liyakwenza ungene kwihlabathi elimangalisayo lomlingo, ukungabi nabulungisa kunye nothando oluqinileyo. Le khathuni yaxabiswa kwaye yabandakanyeka ekutyunjweni kwe-movie ye-Oscar.

Ndiyakuthanda (2006)

Ibali lothando lwenzeka eyunivesithi, apho, xa kwamkelwa, umfana omdala uMakato ujwayelene neShizuru. Emva kokubanjwa kwexesha, le ntombazana yazama ukuwela ngaphaya kwendlela, kodwa abaqhubi abazange baphoswe, ngoko umfana ubona kuqala kwaye ubuhlobo bokwenene buboshwe phakathi kwabo. Bachitha ixesha elininzi omnye komnye, bathetha kwaye bahlekise. UMakato ufundisa u-Shizuru ubugcisa bokufotshwa kweefoto, kwaye bavuma ngokuzithandela izakhono zabo ehlathini, ukulungiselela iiseshoni zezithombe. Kodwa umzuzu ufika xa uMakato enentombazana. U-Shizuru uphelelwe ngumsindo kwaye ufuna ukuba yintombazana ekholisayo ngeendlela zonke. Umfana ucinga ukuba lo ngumnye uhleka intombi.

Eli bali elimalunga nabantu abancinci babini baya kuthintela yonke imida yomphefumlo wombukeli wayo. Ukujonga le mfa nekiso, ungatsho ngokuqinisekileyo ukuba wabona ubungqina obungathandabuzekiyo neemvakalelo ezingenakuqondakala.

Ngaphambi kokungena kwilizwe elimangalisayo le-industry yeJamani, kufuneka uqiniseke ukuba i-melodrama yaseJapan, ilizwi elingahlali likholisa, likhululekile wena kunye neyesiqalo sokuqala asiyikuguqulwa ngokuguquguquka kwezinga eliphezulu. Ngaphandle koko, ungaphuthelwa ixesha elibalulekileyo ukuba abenzi befilimu bazame ukuhambisa kwiifilimu zabo.